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Autumn is our favorite roadtrip season riding through melancholic colors, from pine green, mustard yellow, orange terra, wine red to deep browns and the scents that seem to belong to a forest that slowly falls asleep after this Indian Summer ...We discovered parc de la Ferté-Vidame by chance, with the magnificent ruin of the castle that appears to be made of cardboard when you look at it from the side.The aim was to reinterpret the brutalist aesthetic of the building and the immediate architectural landscape of Brunkebergstorg Square in a way that felt relevant, comfortable and contemporary. Collectively we agreed on ideas for the larger scale pieces in the lobby and public spaces as we needed to make sure the architecture was accommodating but as far as the actual selection of specific works went, it was all on Sune who did a brilliant job.Upon first look, you can see that art clearly plays a big role in the space. With the large sculpture on the staircase there was a fair bit of coordination as we needed to make sure that the materiality and detail of the staircase worked with the head (there was structural plinth cast into the stair to take the marble case of the head) and that the art lighting was correct.We have also managed to balance diversity and coherence in the public spaces so the experience as a whole feels tied together all the while offering variety and contrast. We find the Scandinavian design aesthetic very seductive and we certainly researched and referenced the work of Scandinavian architects and designers in preparation for creating the concept.I also really like the calming influence of Mar Whispering, Jaume Plensa’s 2.5 metre high marble head situated on our grand staircase. However right from the start we focused on building a hotel that had it’s own unique aesthetic and in terms of design felt befitting for an international city which Stockholm is.
We also commissioned or customized a number of pieces including a bespoke table hewn from a single tree trunk, bespoke lighting by Atelier Areti and Rubn and a customized marble Tobo Ishi table by our founding Directors Edward Barber and Jay Osgerby.We wanted every room to feel like a suite so even in the smallest of standard rooms we have clear hallway, sleeping and living zones.All standard rooms incorporate a full length marble credenza that doubles up as desk with a lounge seating area comprising a custom designed sofa and well stocked minibar and drinks area. Working within a period building we felt it important to establish an interior that felt authentic in character and felt like it was built to last.Since 2006, he has been running Strawberry Art Design, Petter Stordalen’s ever-growing private art collection, and was responsible for sourcing the art for At Six.Do you have a favorite piece of art from the collection? Even the simplest of standard rooms feel luxurious, considered and detailed.